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CLICK HERE TO ORDER YOUR COPY OF PRINT ISSUE #9, WHICH FEATURES THIS INTERVIEW WITH CUT CHEMIST IN ITS ENTIRETY!


ONCE UPON A TIME, CUT CHEMIST WAS IN A BAND CALLED OZOMATLI. YOU PROBABLY KNOW HIM AS ONE OF THE DJS FROM JURASSIC 5. RECENTLY, HE STEPPED AWAY TO RECORD HIS VERY FIRST SOLO ALBUM, THE AUDIENCE\'S LISTENING. I INTERVIEWED HIM. READ IT!


Vinnie Baggadonuts: So are you excited about doing press for an album that is entirely yours?


Cut Chemist: (ON SPEAKERPHONE) What did you say? Maybe I should do this without the speakerphone. That almost sounded private.


VB: (laughs)


CC: (TURNS OFF SPEAKERPHONE) Hey. What’s the question?


VB: I just wondered if it was different doing interviews for an album that’s strictly yours, as opposed to a collaboration with other people.


CC: Oh yeah. It’s totally more personal. It carries a lot more weight.


VB: Is it a hard thing to get into though?


CC: Hard to talk about? Sometimes. I’m the type of artist that likes to do it, not talk about it. But I have to make a living, so I have to talk about it. I have to figure out a way to communicate it to the people before they figure out if they want to buy it.


VB: I don’t know how long it took to make the album, but what frame of mind were you in when you were recording it?


CC: I was struggling.


VB: Really?


CC: Yeah. I was struggling because I was trying to make something that was so unique. And by the time I turned it in, I almost forgot how much of a struggle it was. But then you just reminded me.


VB: (laughs) Sorry.


CC: (laughs) That’s alright.


VB: Was there a struggle at all with your initial vision and how it wound up being in the end, as far as sample clearances or just things progressing differently?


CC: No, it wasn’t too different. The album I wanted to make was exactly the one I did. I don’t think I expected to use the records I did.


VB: So when you started, it wasn’t a thing where you realized you could use all the records you’d been dying to use throughout the years?


CC: Right. I didn’t use any of those.


VB: Really?


CC: No, because I realized the records I wanted to use over the years were played out. You know, like that break-beaty kind of sound wasn’t where it was at anymore, so those songs didn’t make it.


VB: So what was the whole experience like, being able to sit down and do something you’d always dreamt about, and having it be completely yours?


CC: It felt great. I am so used to sharing the process with somebody else, you know? I didn’t get to do that this round. It was just me, so it was kind of lonely.


VB: But you got to go to Brazil.


CC: I got to go to Brazil, that’s true. But that was an adventure I took with other people. I just wound up straying away on my own and found something to do for my album in the process. Initially though, I went down on that trip for [photographer/filmmaker] Brian Cross’s Keep In Time project.


VB: Oh yeah!


CC: So that’s why I was there. I didn’t go there to record anything. It was just like a side dish.



CLICK HERE TO ORDER PRINT ISSUE #9 TO READ THE REST OF THIS INTERVIEW!


READ OUR FIRST INTERVIEW WITH CUT CHEMIST HERE.

artid
3693
Old Image
8_10_cut.jpg
issue
vol 8 - issue 11 (jul 2006)
section
interviews
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